Showing posts with label birthdays. Show all posts
Showing posts with label birthdays. Show all posts

May 24, 2011

The deeper catalog Bob

"Anyone who wants to ignore particular periods of Bob Dylan's work is entitled to what I would consider their rather ignorant opinion." — Elvis Costello, who is well qualified to so opine

"Play it fucking loud." — Bob Dylan, Manchester, 1966
From somebody who's spent possibly way too much time studying the evidence, a recommended playlist comprised of one lesser appreciated song from each of Bob Dylan's studio albums,* chosen not necessarily for the lyrics but for the musicianship. Because Bob Dylan, who turns 70 today, is as good as or a better singer than Frank Sinatra. Seriously.

From a purely musical perspective, his intonation and his phrasing are virtuosic. He's also seriously copyright-litigious, which is why the links are to the Wikipedia entries for the albums and not to YouTube uploads, because there aren't any and if there are, they'll be gone tomorrow.

Not that Dylan has been uniformly consistent because, speaking as a hardcore aficionado who considers Dylan one of the most important American musicians (and indeed, persons) of the last 250 years, not only has Dylan produced some of the greatest records ever but the worst ever: Dylan & The Dead. Do not even go near it. On the other hand Dylan has so far refused to release one of his best shows, from Massey Hall in April of 1980, which was professionally recorded and filmed.

The bootlegs are easily available. And yes, the show is from Dylan's so-called Born Again period, which legend has it began around the time Dylan was baptized in Pat Boone's Hollywood Hills swimming pool. You might not expect praise from this space for New Testament-infused songwriting and performing (Dylan actually delivered sermons during those Gospel tours that would make a fundamentalist preacher blush) but as Leonard Cohen** put it, although Cohen didn't concur with the sentiments expressed, those songs are among the finest of the genre.

[One record that you can listen to in its entirety online is Gotta Serve Somebody: The Gospel Songs of Bob Dylan,*** a collection of covers performed by Gospel artists. Bob himself turns up on the last track to chat with Mavis Staples about the press and knockin' a few of them chickens in the yard off and fryin' 'em up before kicking some righteous ass on a revamped version of Gonna Change My Way Of Thinking.]

One thing that's truly remarkable about Bob Dylan is that he's succeeded in being among both the best and the worst musicians ever, sometimes even not only within the same song but within the same verse. He's also managed to write one of the worst lines in all of popular music: "They stamped him and they labeled him like they do with pants and shirts" — Lenny Bruce. And I'm here to tell you that probably the worst concert I ever attended was a Dylan concert, early '90s, O'Keefe Centre. Dreadful.

Something you can say for the Dylanologists: We are brutally honest.

Anyway, the deeper catalog, so go and make your iTunes playlist:
Gospel Plow
House Carpenter
Moonshiner
Spanish Harlem Incident
I'll Keep It With Mine
Queen Jane Approximately
Obviously 5 Believers
I Am A Lonesome Hobo
Tell Me That It Isn't True
Gotta Travel On
Sign On The Window
Billy 4
Big Yellow Taxi
Tough Mama
Meet Me In The Morning
Tiny Montgomery
Abandoned Love
We Better Talk This Over
Do Right To Me Baby (Do Unto Others)
Solid Rock
The Groom's Still Waiting At The Altar
Foot Of Pride
I'll Remember You
You Wanna Ramble
Shenandoah
What Good Am I?
[None: This record is horrible]
Diamond Joe
Lone Pilgrim
Dirt Road Blues
Honest With Me
Someday Baby
Shake Shake Mama

Bonus single: George Jackson (which you won't find on iTunes).
As for the Christmas album, I gotta say, it's pretty hard to take, except for Must Be Santa, which is a classic, and has some fantastic drumming on it. Speaking of drummers, Dylan has been known to hire the best, including one of my all-time favorites, Jim Keltner. If you've never heard of him, I guarantee you've heard him play a thousand times on anything from Knockin' On Heaven's Door to (the less litigious) Steely Dan's Josie.

In other words a tremendously busy studio cat who said that of all the musicians he's ever played with, the only one he'd drop whatever he was doing to answer the call for is Bob Dylan, which is pretty high praise.

And since this is mostly a political blog, I'll leave you with a couple of stanzas that are hard for the liberals to deal with, from 1983's Infidels which Peter Goddard, the music critic for the Toronto Star, called "Dylan's reactionary thesis." Be that as it may, it's one of his best.

This one:
Now his holiest books have been trampled upon
No contract he signed was worth what was it [sic] written on
He took the crumbs of the world and he turned it into wealth
Took sickness and disease and he turned it into health
He’s the Neighborhood Bully
And this one:
Well, it’s Sundown on the Union
And what’s made in the U.S.A.
Sure was a good idea
’Til greed got in the way
Happy Birthday Bob, may you play it fucking loud.

* Including a couple of outtakes. Sometimes he leaves the best songs from a recording session off the record.
** Also well qualified to engage the topic.
*** The title number actually frightened Allen Ginsberg, who considered it as embracing a fascistic "the Devil or the Lord" dichotomy.

May 14, 2011

David Byrne is 59

Couple tracks from the essential Rei Momo:
Independence Day (Cumbia)
Make Believe Mambo (Orisa)

I won't make you jealous by mentioning I saw that tour (c/w with 15-piece Brazilian orchestra) from front-row center at Massey Hall.

Before that there was this:
Mind
Found A Job

DB made some great records.

April 2, 2011

Emmylou Harris is 64

By God I love Emmylou Harris:

Wrecking Ball

That's Dan Lanois, who produced that incandescent record, on guitar. I saw that band at Massey Hall (magnificent old theater in Toronto). I have seen a lot of shows and that was one of the absolute best.

April 20, 2009

John Paul Stevens is 89

Unfavorable opinions about homosexuals "have ancient roots." Like equally atavistic opinions about certain racial groups, those roots have been nourished by sectarian doctrine. ("Habit, rather than analysis, makes it seem acceptable and natural to distinguish between male and female, alien and citizen, legitimate and illegitimate; for too much of our history there was the same inertia in distinguishing between black and white.") Over the years, however, interaction with real people, rather than mere adherence to traditional ways of thinking about members of unfamiliar classes, have modified those opinions. A few examples: The American Psychiatric Association's and the American Psychological Association's removal of "homosexuality" from their lists of mental disorders; a move toward greater understanding within some religious communities; Justice Blackmun’s classic opinion in Bowers; Georgia’s invalidation of the statute upheld in Bowers; and New Jersey’s enactment of the provision at issue in this case. Indeed, the past month alone has witnessed some remarkable changes in attitudes about homosexuals.

That such prejudices are still prevalent and that they have caused serious and tangible harm to countless members of the class New Jersey seeks to protect are established matters of fact that neither the Boy Scouts nor the Court disputes. That harm can only be aggravated by the creation of a constitutional shield for a policy that is itself the product of a habitual way of thinking about strangers. As Justice Brandeis so wisely advised, "we must be ever on our guard, lest we erect our prejudices into legal principles."

If we would guide by the light of reason, we must let our minds be bold. Boy Scouts of America v. Dale, 530 U.S. 640, 699 (2000) (Stevens, J., dissenting).

April 8, 2009

Steve Howe is 62

A brilliant guitarist's showcase:
America (Paul Simon) — Yes

March 21, 2009

March 1, 2009

Frédéric Chopin is 199

Scherzo No. 3 in C#m, Op. 39Ivo Pogorelich (YouTube)

When Ivo Pogorelich was eliminated in the third round from the 1980 International Chopin Piano Competition in Warsaw (following the performance above), adjudicator Martha Argerich proclaimed him a genius and left the jury in protest.

February 3, 2009

Felix Mendelssohn is 200

Scherzo (from A Midsummer Night's Dream, Op. 61)

January 29, 2009